You have that medieval street lined up and composed, there is a break in the crowds and others are waiting behind you to take the shot. As you press the shutter, out steps the tourist in the red shirt – guaranteed to lead the eye away from the ‘real’ subject of the shot. I’m not criticising someone’s clothing choice – they can wear whatever they like. But it can present challenges for the travel photographer.
red shirt tourist
I’m going to show you three ways to deal with this situation. There are other ways, such as cloning out in photoshop – but that can be a pretty laborious task. You could also take a series of shots and stack them hoping that the machine will recognise and keep only the stuff that doesn’t change. Tricky in a narrow crowded street. But all is not lost.
The first solution is to just crop out that part of the scene – if he’s on the edge of the photo, you might get away with it, although it’s not the composition you were aiming for.
Red shirt tourist
And they won’t always be at the edge of the frame.
The next thing you can do is take the image into Lightroom or Photoshop Elements or equivalent where you can edit by specific colour. In this case I am using Lightroom, and have taken the red channel and zeroed the saturation – just for that channel. All the other colours remain unchanged, but you have neutralised that red beacon.
red shirt tourist
So you still have the flesh colour in the face and the ambient warmth of the light, while retaining your composition – and gone are the red shirt and shoes.
Finally, if all else fails, get the tonal values right and convert to black and white (B&W). There are two ways to do this – you could just save as greyscale – but often that kills the drama of the image. The other and my preferred way is to play with the colour channels until you have the right degree of detail in the shadows, and the right level of contrast, then desaturate the whole thing.
red shirt tourist
So whenever you see a travel photographer produce in B&W – he or she may not be being ‘arty’ – perhaps there was a puce pink umbrella, or a red shirted tourist leading the eye astray 🙂
Reflections can make for interesting photos, and with the rain in Salisbury, Sharon was prompted to ask the question in the title of this post – alas with all the puddles around I just couldn’t get a nice shot of the cathedral. That is, until we checked out the Salisbury and South Wiltshire museum. As we approached the museum – and being cued in to look for reflections I saw a great reflection in the window. The result is this fragmented view of the cathedral:
I used a wide aperture lens out to f2.8 in order to ensure that the focus would be on the cathedral, while leaving the window frame a little out of focus.
Sometimes you can find great reflections inside too – the modern font in the cathedral provides a wonderful reflective surface in which to mirror the main windows. The font was designed by William Pye and is the first permanent font for over 150 years. It was commissioned over ten years ago by by the then Canon Treasurer and now Dean of Salisbury, the Very Revd June Osborne. The font is three metres across and constructed as a bronze cruciform vessel atop a purbeck marble plinth. The water flows constantly, but the font is so constructed as to provide a perfectly smooth surface.
Salisbury cathedral font
So it’s worth looking for opportunities for interesting reflections 🙂
I’ve been experimenting with ways to remotely trigger my camera and thus not scare off the birds that drink from our bird bath. Enter ioShutterPro – an app for the iphone along with a lead that connects the phone to the camera.
The app enables several ways to control the camera, including by sound, shaking the phone, bulb for long exposures, by timer or by time-lapse – enabling those great flower opening sequences – which is its main advertised use.
There is also a related app called ioShutterCam from the same guys at enlightphotopro.com that enables you to do all these things just using your iphone camera – no need for the big DSLR camera for that one!
All this came about when a couple of young magpie larks came to drink at the bird bath one hot day. They were chirping away happily so I pulled out the camera and quietly entered the kitchen hoping to catch them through the window. But no, as soon as I came into view they took off like startled magpies!
Time for a better setup. I pulled out the tripod and focused the camera on the bird bath, connected the ioShutterPro lead to the phone and the camera, set it on sound trigger and before long the magpies were back. This time, as they called to each other they took their own photos – maggie ‘selfies’!
Here is the setup I used
This setup could be used for many types of sound triggered photography, such as self-triggered jumping shots making yourself look weightless – just be sure you have a soft place to land!
What would you use a sound triggered camera for? Let me know in the comments 🙂